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Abstract Architecture

Pre-colonial Architecture in the Philippines. Part 2

  • Writer: Dennis Asis
    Dennis Asis
  • Sep 1
  • 2 min read

The foundation of Filipino architecture in its primeval, nature-based forms. The cave as a "refuge" and a "place of dwelling" is the archetypal starting point for all architecture, a direct engagement with the natural landscape for shelter and protection.

The petroglyphs in the rock shelter in Angono, Rizal


Are evidence of the earliest human impulse to modify and imbue a natural space with meaning, a foundational act of turning a site into a place.

Green signboard for Angono Petroglyphs at National Museum, Philippines. Text details its cultural significance. Background: lush greenery.
Sign at the Angono Petroglyphs, a significant cultural landmark in Binangonan, Rizal, Philippines, highlighting its status as the country's oldest known rock art, dating back to circa 3,000 B.C., and its inclusion in the World Inventory of Rock Art.

Lean-to and the treehouse


This impulse is further developed in the construction of the lean-to and the treehouse, which represent the first steps toward a distinctly "Filipino" vernacular architecture.


These structures, fashioned from wood, bamboo, and thatch, demonstrate a sophisticated understanding of local materials and climate, a hallmark of indigenous building traditions worldwide.

Rustic treehouse and hut with thatched roofs in a dense forest. The setting is tranquil, with no visible people or actions. Black and white photo.
Traditional huts of the Korowai tribe stand elevated among the trees in a remote area of Papua, showcasing their unique architectural style with thatched roofs and wooden structures.

The concept of the "archetypal house"


A raised wooden structure on posts with a pitched roof—is central to the Austronesian building heritage that connects the Philippines to a wider Southeast Asian cultural sphere.

Stilt huts over water, people gather on a wooden bridge under cloudy skies. Tranquil and scenic setting, blue hues dominate.
A serene coastal scene depicts a group of people gathering on a narrow wooden bridge connecting two traditional stilt houses, set against the backdrop of a tranquil sea and a sky filled with dramatic clouds.

The stilt houses of the Badjao and the intricately carved torogan of the Maranao are not just variations on a theme; they are highly evolved architectural systems that respond to specific cultural and environmental needs.


Sepia-toned image of a tropical village with thatched huts, palm trees, and villagers engaging in various activities, creating a serene, historical mood.
A sepia-toned depiction of a traditional village scene in a lush jungle environment, with thatched-roof huts elevated on stilts and villagers engaging in daily activities amidst towering palm trees and dense foliage.

The torogan, with its decorative gable finials and sturdy log posts resting on rounded stones, is a masterpiece of vernacular design, embodying the social status of its inhabitants and demonstrating a deep understanding of structural principles. Pre-colonial Architecture in the Philippines


Traditional wooden house on stilts with a thatched roof, surrounded by green grass under a cloudy sky. Decorative carvings are visible.
Traditional wooden stilt house with thatched roof under a cloudy sky, showcasing intricate architectural details and elevated design.

This is a powerful reminder that "vernacular" is not synonymous with "primitive." Rather, it represents a body of knowledge passed down through generations, a history of architecture written not in textbooks, but in the timber and thatch of the structures themselves.


Stone house with a thatched roof nestled among lush greenery and vibrant orange flowers. A person stands in the doorway, evoking tranquility.
A charming Ivatan stone house in Batanes, surrounded by vibrant orange flowers and lush greenery.

Conclusion Pre-colonial Architecture in the Philippines


Pre-Colonial Architecture in the Philippines serves as a powerful reminder that the history of architecture is not a linear progression of styles, but a dynamic and often contested process of cultural exchange, adaptation, and the ongoing quest for a built form that can truly be called its own.


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